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dc.contributor.authorRosa, Dien Vidia
dc.date.accessioned2018-01-02T05:39:55Z
dc.date.available2018-01-02T05:39:55Z
dc.date.issued2018-01-02
dc.identifier.issn2086-308x
dc.identifier.urihttp://repository.unej.ac.id/handle/123456789/83834
dc.descriptionCAPTURE (Jurnal Seni Media Rekam), Vol 8, No 2, Juli 2017en_US
dc.description.abstractFilm realities emerged in multifacet.Two interesting concepts that were tried to be presented in the article were hypereality and refraction of duréé. Both were consequences of digitalization that refered to the rose of virtual space and beyond subject's consciousness.Both also effected audiens consciousness positioning to reality which was appeared. The encounter of those concepts was discussed in images power discourse. By using Barthes's semiology method to crack and decode visual narative element of film, reality exploration was seen as signs playing and images ideology.en_US
dc.language.isoiden_US
dc.subjectHiper-realitasen_US
dc.subjectrefractions of durééen_US
dc.subjectmulti-naratif visual filmen_US
dc.titleMempertemukan Hiper-Realitas dan Refractions of Duree : Pembacaan Multi-Naratif Visual dalam Film Simone dan Film Inceptionen_US
dc.typeArticleen_US


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