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dc.contributor.authorAstutiningsih, Irana
dc.date.accessioned2013-10-06T08:50:56Z
dc.date.available2013-10-06T08:50:56Z
dc.date.issued2013-10-06
dc.identifier.urihttp://repository.unej.ac.id/handle/123456789/1250
dc.descriptionThis is an abstract of a paper presented at International Conference on Language, Literature and Cultural Studies conducted by Burapha University, Thailand. The conference was conducted for three days (22-24 August 2013) at A-One The Royal Cruise Hotel, Pattaya, Thailand, and the paper was presented on the first day of the conference at 15.45.en_US
dc.description.abstractApart from women objectification in media as a topic commonly discussed either in scholarly or non scholarly context; this article provides an overview about women’s potential to become the subject rather than the object in the internet. Cyberculture providing more freedom and less control than offline world gives the same opportunities for everyone to actively participate in producing cultural symbols by constructing his/her expectation in the internet including breaking taboos prevailed in offline world. In terms of online slash fiction, a fiction about homosexual relationship written and uploaded in the internet by fans (mostly women) of particular source text, cyberculture enables women to become subject and construct their expectation as a response to the dominant ideology. In other words, being positioned as the subordinated gender in patriarchal culture, women are potential in generating a counter discourse towards the dominant ideology. More particularly, the women’s fantasy as seen in their online works shows that becoming a subject, the women enable what the so-called “female gaze” to exist. Some slash fictions written by Indonesian women and uploaded in www.fanfiction.net show how such female gaze exists and furthermore, how the women, in spite of being the second-class gender in patriarchal culture, attempt to break the cultural taboos by constructing their sexual expectation through the portrayal of their major male characters’ sexual activities. However, further analysis on the selected Indonesian women’s slash fictions, authors’ note and online interviews show that in spite of their potential of being the subject due to more freedom and less control in cyberculture, the women are not totally capable to liberate themselves from the dominant ideology concerning its discourse of women objectification as well as the sexual taboos in patriarchal culture.en_US
dc.language.isoenen_US
dc.subjectcyberculture, female gaze, sexual taboos, dominant ideology, slash fictionen_US
dc.titleWomen's Breaking Taboos in Cyberculture: Tearing up Patriarchal Net through Slash Fiction?en_US
dc.typeWorking Paperen_US


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