Sastra
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HEGEMONY OF LOCAL TELEVISION ABOVE TRADITIONAL PERFORMING ARTS IN THE ERA OF MEDIA GLOBALIZATION
(SENI PERTUNJUKAN ISI YOGYAKARTA, 2014-12-09)Mass media such as television, it can simply be defined as one of the instruments which reinforce efforts in the realization of human-related obsessions certain aspects, such as art. The art form of indigenous territories, ... -
HEGEMONY OF LOCAL TELEVISION ABOVE TRADITIONAL PERFORMING ARTS IN THE ERA OF MEDIA GLOBALIZATION
(2015-11-10)Mass media such as television, it can simply be defined as one of the instruments which reinforce efforts in the realization of human-related obsessions certain aspects, such as art. The art form of indigenous territories, ... -
BUDAYA KONSUMEN: IDEALISASI FIGUR ANAK-ANAK SEHAT DALAM IKLAN SUSU FORMULA UNTUK ANAK
(2015-10-24)Advertising is one product that is persuasive mass media in building public perception behavior. The tendency of public behavior that arises as a result of one of them is duplicated ads, regardless of the desire to have a ... -
Deskriptif Male Feminisme dan Kontra Male Feminisme Perilaku Tokoh Priyayi Golongan Ningrat Jawa dalam Novel De Winst Karya Afifah Afra
(Fakultas Sastra Universitas Jember, 2011-12)Patriarchal culture is synonymous with the hegemonic power of the Javanese nobility, especially from the class of nobles, to the position of Javanese women, particularly those related to the ongoing gender inequality. There ... -
Ragam Kritik Sastra Feminisme Radikal: Kekerasan Psikis dan Women Trafficking Perempuan dalam Drama Siau Ling Karya Remy Sylado
(Jurusan Sastra Indonesia Fakultas Sastra Universitas Jember, 2010-06-25)This article discusses the psychological harassment and woman trafficking in ”the drama siauling” author by Remy Sylado. These such of issues happened because of the existing of patriarchal culture or society that led to ... -
Citra Kuasa Wanita Jawa: Telaah Feminisme Kekuasaan dalam Novel Perang Paregrek Karya Langit Kresna Hariadi
(Lembaga Penelitian Universitas Jember, 2009-12)This article discusses the image of Javanese female power which is figured in the main character namely Biniaji, the Garwa Ampil (wife) King of Hayam Wuruk, in the novel Perang Paregrek (Paregrek War) by Langit Krisna ... -
Seni Pertunjukkan Tari Mangkunegaran “Matah Ati” (The Studies of Semiotics Communication Visual Design Print Ad Performance Arts The Dance Mangkunegaran "Matah Ati")
(Pusat Penelitian Budaya dan Pariwisata Lembaga Penelitian Universitas Jember, 2012-09)This article discusses the functions communication of visual associated with the analysis in print advertisements using semiotic approach as the science of signs. Semiotics is also used in advertising communication using ... -
Sastra Pembebasan dalam Genre Novel Sejarah Indonesia (Satu Telaah Kritik Sastra Feminisme Postkolonial)
(Jurusan Ilmu Sejarah Fakultas Sastra Univesitas Jember, 2013-06)This article discusses postcolonial feminist literary criticism in the literary genre of the history of Indonesia. Authors present through literary forms of resistance shown by the female protagonist of the practices of ... -
Eksploitasi Concubinage dan Subjek Subaltern : Hegemoni atas Perempuan Indonesia dalam Tinjauan Kritis Postkolonial dan Feminisme Novel De Winst Karya Afifah Afra Exploitation Concubinage and Subjects Subaltern: Hegemony of Indonesian Women in Critical Review of Postcolonial and Feminist in the Novel De Winst Author by Afifah Afra
(Balai Bahasa Surabaya, Badan Pengembangan dan Pembinaan Bahasa, Kementerian Pendidikan Nasional, 2011-06)This paper discusses the practical Dutch colonization which resulted in a bias against gender injustice the position of Indonesian women in the novel De Winst author by Afifah Afra. This is reflected in the practical sexual ... -
Women's Breaking Taboos in Cyberculture: Tearing up Patriarchal Net through Slash Fiction?
(2013-10-06)Apart from women objectification in media as a topic commonly discussed either in scholarly or non scholarly context; this article provides an overview about women’s potential to become the subject rather than the object ...
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