| dc.description.abstract | Traditional arts grow, develop, and sustained by community supporters. Inheritance
tends to occur naturally from generation to generation. One of the traditional art that has
undergone a long process of inheritance is Gandrung Banyuwangi. This paper aims to
formulate a model of inheritance and development of Banyuwangi Indonesian traditional
arts performances, particularly Gandrung. By using ethnographic methods, data from
published sources include field data obtained through observation, participation and indepth
interviews
with
selected
respondents,
namely
artists,
community
leaders,
and
cultural
Banywuangi.
Semiotic interpretation of data by treating each symptom as a cultural
phenomenon related to each other as a whole to get a comprehensive conclusion. The
results showed that the inheritance and development takes place through regulation
Gandrung by placing Gandrung as Banyuwangi tourism mascot. Gandrung undergo
metamorphosis of art into art social struggle and eventually evolved into the art of
entertainment. Metamorphosis begins with the turn of actors Gandrung male dancer
becomes Gandrung female. These events left a pullback legend Gandrung Marsan and
emergence as the first woman Gandrung. Figures in the cessation Marsan as a dancer
“lanang” still leave tradition until 1956, with the presence of Hamlet Gumuk Gandrung
infallible Lor, District Glossy, Banyuwangi. Marsan is active as a professional devoted for
1 (one) year as affected by the view that crazy art stigmatized as "immoral". The stigma
occurs because of the strong teaching of religious belief is strong that lived in the
neighbourhood, Hamlet Gumuk Lor. Inheritance and other development took place through
training, collaborative performances, festivals, cultural ambassador, and diversification of
performances and creative industry products. | en_US |
