| dc.contributor.author | HASTUTI, Reny Mega |  | 
| dc.date.accessioned | 2025-09-01T03:20:23Z |  | 
| dc.date.available | 2025-09-01T03:20:23Z |  | 
| dc.date.issued | 2024-07-11 |  | 
| dc.identifier.nim | 200210302008 | en_US | 
| dc.identifier.uri | https://repository.unej.ac.id/xmlui/handle/123456789/128021 |  | 
| dc.description | Finalisasi oleh Taufik Tgl 8 September 2025 |  | 
| dc.description.abstract | This research answers the problem formulation: What is the background to 
the establishment of the Wahyu Budaya ludruk art group Wateswinangun 
village, Sambeng district, Lamongan regency 1995-2019, what are the 
dynamics of the Wahyu Budaya art group Wateswinangun, Sambeng district 
Lamongan, regency 1995-2019, what are the socio-cultural impacts and 
economic impacts? Ludruk cultural revelation of Wateswinangun Village, 
Sambeng district, Lamongan regency 1995-2019. The purpose of this 
research is to find out the background to the founding of the cultural 
revolution ludruk art group in Wateswinangun Village, Sambeng district, 
Lamongan regency in 1995-2019. To find out the cultural revolution ludruk 
art group in Wateswinangun village, Sambeng district, Lamongan regency in 
1995-2019, to determine the socio-cultural impact and the economic impact 
of the cultural revolution ludruk art group in Wateswinangun Village, 
Sambeng district, Lamongan regency. This research method is heuristic, 
criticism, interpretation, historiography. Ludruk is a traditional drama art 
played by a group performed on a stage. Ludruk is used by the community as 
public entertainment. Ludruk art lives and develops in the East Java Area, 
Especially the Lamongan Area. One of the Lamongan ludruk is the Wahyu 
Budaya ludruk. It was founded by Mr Yatno 11 Agustus 1995. The 
characteristic of ludruk cultural revelation is that it does not have permanent 
players. Overall ludruk players do not dress up as women. The peak of ludruk 
Wahyu Budaya’s glory was in 2000. The existence of Ludruk Wahyu Budaya 
has socio-cultural and economic impacts. The social impact can be observed 
through the values of the ludruk performance in Sunan Kalijaga’s play and 
the economy can be seen from the welfare of the performers and the general 
public, namely traders in the ludruk area. | en_US | 
| dc.language.iso | other | en_US | 
| dc.publisher | Fakultas keguruan dan Ilmu pendidikan | en_US | 
| dc.subject | ART | en_US | 
| dc.subject | LUDRUK | en_US | 
| dc.subject | GRUP | en_US | 
| dc.subject | LAMONGAN | en_US | 
| dc.subject | WAHYU BUDAYA | en_US | 
| dc.title | Kelompok Seni Ludruk Wahyu Budaya Desa Wateswinangun Kecamatan Sambeng Kabupaten Lamongan Tahun 1995-2019 | en_US | 
| dc.type | Skripsi | en_US | 
| dc.identifier.prodi | Pendidikan Sejarah | en_US | 
| dc.identifier.pembimbing1 | Prof. Dr. Bambang Soepeno, M.Pd | en_US | 
| dc.identifier.pembimbing2 | Guruh Prasetyo, S.Pd., M.Pd | en_US | 
| dc.identifier.validator | validasi_repo_ratna_Agustus 2025 | en_US | 
| dc.identifier.finalization | Aura_Taufik | en_US |