dc.contributor.author | MARTIN, Dwi Martin | |
dc.date.accessioned | 2024-07-31T01:20:00Z | |
dc.date.available | 2024-07-31T01:20:00Z | |
dc.date.issued | 2023-07-28 | |
dc.identifier.nim | 170110401062 | en_US |
dc.identifier.uri | https://repository.unej.ac.id/xmlui/handle/123456789/122706 | |
dc.description.abstract | The film "Bapa Polah Anak Kepradah" tells the story of a child who lives in a family affected by early marriage. In their life, the child seems to bear the burden of the mistakes made by their parents. The filmmaker creates this movie to raise awareness in society about the consequences of early marriage. As the director of photography, the filmmaker uses the main theory of "balance composition" and the supporting technique of "camera movement." These theories are employed by the filmmaker to showcase the contrast between the characters within a single frame, while the camera movement is used to emphasize this contrast towards the objects that need to be highlighted in the film. | en_US |
dc.language.iso | other | en_US |
dc.publisher | Fakultas Ilmu budaya | en_US |
dc.subject | penerapan metode | en_US |
dc.subject | balance composition | en_US |
dc.subject | flim fiksi bapa polah anak kepradah | en_US |
dc.title | Penerapan Metode Pengambilan Gambar Balance Composition pada Film Fiksi Bapa Polah Anak Kepradah | en_US |
dc.type | Other | en_US |
dc.identifier.prodi | Program studi televisi dan film | en_US |
dc.identifier.pembimbing1 | Fajar Aji S.Sn, M.Sn. | en_US |
dc.identifier.pembimbing2 | Ni Luh Ayu Sukmawati, S. Pd., M. Hum. | en_US |
dc.identifier.validator | validasi_repo_iswahyudi_Mei_2024 | en_US |
dc.identifier.finalization | 0a67b73d_2024_07_tanggal 10 | en_US |