Analisis Modal Sanggar Seni Kartika Budaya Ambulu dalam Mempertahankan Eksistensi di Tengah Arus Globalisasi

Abstract

This study aims to analyze the capital of the Kartika Budaya Ambulu Art Studio in maintaining its existence amidst the flow of globalization using the concept of capital from Bourdieu's perspective. The background of this study is based on the existence of several studios that have become extinct amidst the flow of globalization and the need to understand the studio's capital in maintaining its existence amidst the extinction of these studios. This study uses a qualitative research method with an ethnographic approach. Data collection techniques were carried out through interviews (with the studio founder, studio treasurer, studio secretary, trainers and studio members), direct observation, and documentation. Data analysis was carried out by mapping 4 capital concepts consisting of cultural capital, social capital, economic capital, and symbolic capital. The results of the study indicate that the Kartika Budaya Ambulu Art Studio has several forms of capital used to maintain its existence amidst the flow of globalization. Cultural capital is related to the studio's knowledge and skills, as well as the studio's traditions in preserving the arts. The studio's social capital is related to the studio's relations and collaboration with the arts community, society, and government, as well as the studio's internal relationships in maintaining the regeneration of successors. The studio's economic capital is related to the funds and facilities owned by the studio. A studio's symbolic capital is related to its reputation and achievements. This study concludes that studios utilize these four forms of capital optimally as a form of adaptation and an effort to maintain their existence amidst globalization.