dc.description.abstract | This research analyze of the adaptation from intrinsic events of The Painted
Veil novel and film. The transformation between the novel and film bring up the
different ideology, because novel and film are different media. According to
Hutcheon, adapters have motives to adapt the literary work.
Qualitative research is used in this analysis since the object of analysis are
novel and film with comparative method. The data are in the form of sign through
words or sentences and images. The data are divided into primary and secondary
data. The primary data are taken from narratives structure in novel and images in film
that present the changes of adaptation. The secondary data are taken from some
books, literary review which related to the topic discussed, such as thesis, and
literature journal.
There are two goals from this research, first, to describe and explain what are
the changes or transformation events between novel into film. Last is to find out
something beyond the transformation. I use the Adaptation by Linda Hutcheon and
Mythology by Roland Barthes as method to analyze the transformation and find out
the ideology behind the novel and film. To do the first goal, collected data are
compared using comparative method. After finding the differences of the
transformation events between novel and film, Mythologies by Roland Barthes is
used as bridge to find out what lies beyond the works in two different media.
Moreover, Myth analysis is done to find ideologies behind the transformation from
novel into film. Ideologies that have been found between novel and film will help to
find something or motive beyond the adaptation.
The result of the research shows some ideologies in the novel and the film.
Ideologies come out from novel are feminism, liberalism, primordialism, and
humanism. Ideologies come out from the adaptation are patriarchy, liberalism, and multiculturalism. For all ideologies in both of them bring up the cultural capital
motive beyond the adaptation. The cultural phenomenon is brought out from text
narratives through the habitual condition between the western and eastern thinking
toward the society perspective. Meanwhile the cultural phenomenon from the film is
brought out through western thinking and action to make cross relationship in
tolerating and appreciating the eastern for getting legitimacy superior toward the
powerfulness of superior in society, include the powerfulness of men toward the
woman in patriarchy issues. | en_US |