| dc.description.abstract | Indonesia is one of the countries which discloses migrant workers as an
insolubility issue where several laborers are choosing illegality way of
being migrant apprentices. Most reasons are caused by lack of
understanding placement and protection procedures, limited information
to access international job vacancy, inequitable registration through the
unauthorized bureau, and lack of government involvement. As a result,
many workers were unpaid and faced violent. In addition, human
trafficking is also encountered migrant workers. Consequently, they are
deported to their origins. Based on those backgrounds, the author would
convey these issue into fiction movie through parents viewpoint as the
person who left by migrant workers (Rabiger and Cheerrier, 2013:115).
cinematic point of view, central character one point of view will be used
to build narrative elements and cinematic elements in the film Rawuh,
from the pre-production, production and post-production stages.
RAWUH could depict Indonesian civilization, especially migrant worker
issue that happened in Jember. The creator believes that directing with
central character one viewpoint technique needs to develop in the future,
especially on the storytelling scheme, mise en scene, cinematography,
exploration of sound design, and editing. | en_US |
