The Representation of Beauty Discourse in Lord byron's Selected Poems

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DC Field	Value	Language
dc.contributor.advisor	SETIAWAN, Ikwan	-
dc.contributor.advisor	PUJIATI, Hat	-
dc.contributor.author	SURYANDARI, Anisa Hikmah	-
dc.date.accessioned	2019-08-27T04:05:20Z	-
dc.date.available	2019-08-27T04:05:20Z	-
dc.date.issued	2019-08-27	-
dc.identifier.nim	120110101083	-
dc.identifier.uri	http://repository.unej.ac.id/handle/123456789/92210	-
dc.description.abstract	The beauty discourse is represented in three Lord Byron's poems. In a poem entitled She Walks in Beauty, the beauty concept emphasizes more on what is in physics such as aura, while physics is a manifestation of inner beauty. In the poem Sonnet to Genevra, the beauty concept that physical and intellectual leads to the divine. At stanzas for music, the beauty concept that is put forward is the beauty of sound that uses natural instruments. Overall it can be concluded that the concept of beauty formed by the era of Romanticism through Byron's poetry is emphasizing things that surpass the physical itself. Beauty is depicted using natural instruments that actually all these beauties lead to God.	en_US
dc.language.iso	id	en_US
dc.subject	Beauty Discourse in Lord Byron's	en_US
dc.title	The Representation of Beauty Discourse in Lord byron's Selected Poems	en_US
dc.type	Thesis	en_US
Appears in Collections:	MT-Linguistic

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