Please use this identifier to cite or link to this item: https://repository.unej.ac.id/xmlui/handle/123456789/25576
Title: WOMEN’ S B ODIE S I N N E IL G AIM A N’ S T A R DU S T: A JU L IA K RIST E VA N AN ALYS IS
Authors: G ar in d a S u jar w an ti
Keywords: WOMEN’ S , B ODIE S
Issue Date: 27-Jan-2014
Series/Report no.: 0 80110191021;
Abstract: This re se a r c h discusse s a bout wome n’ s bodies in Ne il Ga im a n’ Star dust . W omen’ s bodies in Sta rdust a re c onst ruc ted a s se c ond c lass . I t is int e re sti ng to a na l y z e the nove l be c a u se wome n’ s bodies that ha ve be e n e x c luded in pa triar c ha l powe r someti mes unc on sc iousl y a r e a ble to dis turb the he g e mon y of pa triar c h y . The re fo re thi s re se a rc h i s c onduc ted unde r two que sti ons, fir st how wom e n' s bodies ha ve be e n e x c luded a nd oppre ssed b y pa tri a rc h a l powe r, a nd se c ond, t his re se a r c h e voke s the inconsist e nc y a nd the log ica l mi stake s of the tex t in re pr e se nti ng wome n’ s bodies in masc uli ne wr it i ng . T o e x plore th e pa ra d ox e s a nd inconsist e nc y i n the tex t is the de pa rting point to d e c onst ruc t wome n’ s bod ies in Stard ust . T his the n re se a rc h uses J ul ia Kr ist e va ’s the or y be c a us e he r theor y is usef ul to o f f e r a ce nt r al p l a ce f o r dev el opi ng t he f em i ni ne su b j ec t in ps y c ho a na l y sis t hr oug h lan g ua ge . K riste va ’s theo r y c a n b e used to tra c e fe mi nine side throu g h de mol ishi ng p a triar c h a l pe rspe c ti ve in the nove l . The re a re thre e c ritica l to ols fr om J u li a Kr ist e va take n to a rr a n ge the method of a na l y sis the tex t; the s y mbol ic, the se mi ot ic a nd the a bjec t. The s y mbol i c c onsi sts of ‘s y ntax ’ a nd ‘a ll li ng ui sti c c a teg o rie s’. Tha t is, the s y mbol ic is the struc ture or g r a mm a r that g ov e rns the wa y s in whic h s y mbol s c a n re fe r. B e sides, it is a n oe dipaliz e d s y stem, re g u late d b y se c onda r y pr oc e sses a nd the L a w o f the F a ther . B y using these c ritica l mea ns , it is found the c onc e pt of wome n ’s bodies in the tex t dwe ll e d on masc uli ne lang u a g e . S e c ond, t he s e mi oti c or of ten known a s se mi o ti c c hora is the wa y throu g h whic h bodil y e ne r g y a n d a ff e c ts c ome int o langua ge a nd it include s both the dr ives a nd the a rticula ti ons of t he subj e c t. I t is de rive d f rom the pr e Oe dipal sta g e a nd is a s socia ted wit h the fe mi nine a nd the mate rna l . T his se c ond a na l y sis shows th e inco nsis tenc y a nd the lo g ic a l mi stake s in re pr e se nti n g wome n ’s bodies to fa il the he ge mon y of pa tria rc ha l pow e r in Stard ust . The last is the Abje c t, thus pr oc e ss c re a tes bou nda rie s be twe e n se lf a nd other that must be in pl a c e be for e the e ntra n c e int o lan g ua ge . The a na l y sis of nove l ba se d on th e se thr e e tool s finds the other se lf withi n pr oc e ss to ga in subj e c ti vit y . The re for e , thi s r e se a rc h is b e ne fic ial to g e t c ompre he nsion a bout women’ s re p re ssi on thro ug h li ter a r y wor k.
URI: http://repository.unej.ac.id/handle/123456789/25576
Appears in Collections:UT-Faculty of Culture (Cultural Knowledge)

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