Please use this identifier to cite or link to this item: https://repository.unej.ac.id/xmlui/handle/123456789/122706
Full metadata record
DC FieldValueLanguage
dc.contributor.authorMARTIN, Dwi Martin-
dc.date.accessioned2024-07-31T01:20:00Z-
dc.date.available2024-07-31T01:20:00Z-
dc.date.issued2023-07-28-
dc.identifier.nim170110401062en_US
dc.identifier.urihttps://repository.unej.ac.id/xmlui/handle/123456789/122706-
dc.description.abstractThe film "Bapa Polah Anak Kepradah" tells the story of a child who lives in a family affected by early marriage. In their life, the child seems to bear the burden of the mistakes made by their parents. The filmmaker creates this movie to raise awareness in society about the consequences of early marriage. As the director of photography, the filmmaker uses the main theory of "balance composition" and the supporting technique of "camera movement." These theories are employed by the filmmaker to showcase the contrast between the characters within a single frame, while the camera movement is used to emphasize this contrast towards the objects that need to be highlighted in the film.en_US
dc.language.isootheren_US
dc.publisherFakultas Ilmu budayaen_US
dc.subjectpenerapan metodeen_US
dc.subjectbalance compositionen_US
dc.subjectflim fiksi bapa polah anak kepradahen_US
dc.titlePenerapan Metode Pengambilan Gambar Balance Composition pada Film Fiksi Bapa Polah Anak Kepradahen_US
dc.typeOtheren_US
dc.identifier.prodiProgram studi televisi dan filmen_US
dc.identifier.pembimbing1Fajar Aji S.Sn, M.Sn.en_US
dc.identifier.pembimbing2Ni Luh Ayu Sukmawati, S. Pd., M. Hum.en_US
dc.identifier.validatorvalidasi_repo_iswahyudi_Mei_2024en_US
dc.identifier.finalization0a67b73d_2024_07_tanggal 10en_US
Appears in Collections:UT-Faculty of Culture (Cultural Knowledge)

Files in This Item:
File Description SizeFormat 
doc bian.pdf1.25 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

Admin Tools