Please use this identifier to cite or link to this item: https://repository.unej.ac.id/xmlui/handle/123456789/122015
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dc.contributor.authorRAHIM, Dhea Sarinda Elita-
dc.date.accessioned2024-07-11T07:13:55Z-
dc.date.available2024-07-11T07:13:55Z-
dc.date.issued2023-06-26-
dc.identifier.nim160110101099en_US
dc.identifier.urihttps://repository.unej.ac.id/xmlui/handle/123456789/122015-
dc.description.abstractThis article discusses the adaptation analysis of Everything, Everything novel into film. The research focuses on the transformation that occurred in the process of adaptation and the motive that the adapter used to adapting the work. The transformation occurred because of the consequences of the different forms, the text and audiovisual. The research is using comparative method to find the differences between the novel and the film. To analyze, this research using the theory of adaptation and myth. The differences between the novel and the film will lead to finding the ideology from the author and the adapter using myth analysis. After ideology is found, then the motive of the adapter will be found. The results of the analysis found that black feminism, the ideology of the adapter, explains the cultural capital motives, and the production house chose the best-selling book to be adapted shows the economic lures motive in this adaptation work.en_US
dc.language.isootheren_US
dc.publisherFakultas Ilmu Budayaen_US
dc.subjectADAPTATIONen_US
dc.titleThe Adaptation of Nicola Yoon's Everything, Everything Into Film by Stella Meghieen_US
dc.typeOtheren_US
dc.identifier.prodiSastra Inggrisen_US
dc.identifier.pembimbing1Dr. Ikwan Setiawan, M.A.en_US
dc.identifier.pembimbing2Irana Astutiningsih, S.S., M.A.en_US
dc.identifier.validatorvalidasi_repo_iswahyudi_April_2024en_US
Appears in Collections:UT-Faculty of Culture (Cultural Knowledge)

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