Please use this identifier to cite or link to this item: https://repository.unej.ac.id/xmlui/handle/123456789/121512
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dc.contributor.authorERNA, Sari-
dc.date.accessioned2024-06-14T07:42:31Z-
dc.date.available2024-06-14T07:42:31Z-
dc.date.issued2024-03-04-
dc.identifier.nim170110201018en_US
dc.identifier.urihttps://repository.unej.ac.id/xmlui/handle/123456789/121512-
dc.descriptionFinalisasi unggah file repositori tanggal 14 Juni 2024_Kurnadien_US
dc.description.abstractThis article discusses the types and forms of code mixing in Ria SW’s YouTube channel videos entitled “MINDING IN HANOI #01” and ‘HANOI NIGHT MARKET #02”. This research uses qualitative research with a sociolinguistic approach to Hoffman and Suwito’s theory. The aim of this research is to describe the level of code mixing studied based on the dimensions of the types and forms of code mixing as well as the factors behind the code mixing. Research data was collected using the observation method and analyzed using Hoffman and Suwito’s theory. The research result show that there are three forms of code mixing in the form of word, phrases and code mixing in the form sentences. Meanwhile, there are three factors behind code mixing, related to the linguistic factor to the expression, namely the speaker inserting certain language in his speech, the intellectual factor related to the fact that the speaker is highly educated and the factor of attracting by inserting language elements to show familiarity and be easy to understand.en_US
dc.language.isootheren_US
dc.publisherFakultas Ilmu Bduayaen_US
dc.subjectCode Mixingen_US
dc.subjectSociolinguisticen_US
dc.titleAnalisis Penggunaan Campur Kode dalam Konten Video Kanal YouTube Ria SW Kajian Sosiolinguistiken_US
dc.title.alternativeErna Sarien_US
dc.typeSkripsien_US
dc.identifier.prodiSastra Indonesiaen_US
dc.identifier.nidn-en_US
dc.identifier.nidk-en_US
dc.identifier.pembimbing1Dr. Agus Sariono, M.Hum.en_US
dc.identifier.pembimbing2Edy hariyadi, S.S., M.Si.en_US
dc.identifier.validatorvalidasi_repo_iswahyudi_Mei_2024en_US
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