Sastra
https://repository.unej.ac.id/xmlui/handle/123456789/51
2024-03-29T15:58:57ZHEGEMONY OF LOCAL TELEVISION ABOVE TRADITIONAL PERFORMING ARTS IN THE ERA OF MEDIA GLOBALIZATION
https://repository.unej.ac.id/xmlui/handle/123456789/64504
HEGEMONY OF LOCAL TELEVISION ABOVE TRADITIONAL PERFORMING ARTS IN THE ERA OF MEDIA GLOBALIZATION
Hasan, Renta Vulkanita
Mass media such as television, it can simply be defined as one of the instruments which
reinforce efforts in the realization of human-related obsessions certain aspects, such as
art. The art form of indigenous territories, such as performing arts and cultural image
representation of complex societies, especially the creative process in the art
community. The results are reflected in the creative community is a form of performing
art that is inseparable from the process dependence, experiences shared, and
collaboration among members of the various communities. The process that takes place
at the level of larger, complex, and increasingly not much hampered by physical
barriers to be the reason that the traditional performing arts worthy of competing and
widely publicized. But amid the twisted development of traditional performing arts,
media simultaneously play the role of hegemony over the stretching. Local television is
an example of the power of the media controlling the continuity of traditional
performing arts. It is given the role of local television have sufficient strength in
delivering massive variety of local shows to the local community. Documentary
television is a format commonly used for packing the "breath" of traditional performing
arts in the area of media globalization dramatically, thus evoke audience emotion. Type
impressions of this kind would tend to raise the rating of the event, due to the high
interest of the audience. If a high rating, then the advertiser will provide a nominal
sponsor. This then indicates the presence of power relations (hegemony) media for the
performing arts on a local scale, the impact on the continuity of the "live" local
television itself.
Keywords: hegemony, globalization, media, performing arts, local television
2014-12-09T00:00:00ZHEGEMONY OF LOCAL TELEVISION ABOVE TRADITIONAL PERFORMING ARTS IN THE ERA OF MEDIA GLOBALIZATION
https://repository.unej.ac.id/xmlui/handle/123456789/64503
HEGEMONY OF LOCAL TELEVISION ABOVE TRADITIONAL PERFORMING ARTS IN THE ERA OF MEDIA GLOBALIZATION
Hasan, Renta Vulkanita
Mass media such as television, it can simply be defined as one of the instruments which
reinforce efforts in the realization of human-related obsessions certain aspects, such as
art. The art form of indigenous territories, such as performing arts and cultural image
representation of complex societies, especially the creative process in the art
community. The results are reflected in the creative community is a form of performing
art that is inseparable from the process dependence, experiences shared, and
collaboration among members of the various communities. The process that takes place
at the level of larger, complex, and increasingly not much hampered by physical
barriers to be the reason that the traditional performing arts worthy of competing and
widely publicized. But amid the twisted development of traditional performing arts,
media simultaneously play the role of hegemony over the stretching. Local television is
an example of the power of the media controlling the continuity of traditional
performing arts. It is given the role of local television have sufficient strength in
delivering massive variety of local shows to the local community. Documentary
television is a format commonly used for packing the "breath" of traditional performing
arts in the area of media globalization dramatically, thus evoke audience emotion. Type
impressions of this kind would tend to raise the rating of the event, due to the high
interest of the audience. If a high rating, then the advertiser will provide a nominal
sponsor. This then indicates the presence of power relations (hegemony) media for the
performing arts on a local scale, the impact on the continuity of the "live" local
television itself.
Keywords: hegemony, globalization, media, performing arts, local television
2015-11-10T00:00:00ZBUDAYA KONSUMEN: IDEALISASI FIGUR ANAK-ANAK SEHAT DALAM IKLAN SUSU FORMULA UNTUK ANAK
https://repository.unej.ac.id/xmlui/handle/123456789/64250
BUDAYA KONSUMEN: IDEALISASI FIGUR ANAK-ANAK SEHAT DALAM IKLAN SUSU FORMULA UNTUK ANAK
Hasan, Renta Vulkanita
Advertising is one product that is persuasive mass media in building public perception behavior. The tendency of public behavior that arises as a result of one of them is duplicated ads, regardless of the desire to have a product that is offered. The existence of quite a role in accommodating the television broadcast of television ads that display ads to be the most perfect in the display on other media such as newspapers and the internet. Thus occurs because television has massive strength in building cultural dynamics through audio-visual content is presented. Lifestyle become one of the phenomena that arise from the presence of television discourse. Society has been constructed to be certain figures are ready to be "play" in a media perspective. Idealization be one way to build a figure that represented through advertising. Television advertising of formula milk for infants is one of the ads that have the idealization charge. Construction "healthy toddler" which appeared in advertisements toddler formula to show the figure of a toddler "crossbreed", was white, and the body contains a proof that the figure trying to "shift" the public's understanding of the health aspects of healthy toddlers. Idealization of the figure of "healthy toddler" in a television advertisement toddler formula implies that the symptoms occur so heavily pierced poskolonialisme media, especially television.
Keywords: Idealization, Figure, Ads
2015-10-24T00:00:00ZDeskriptif Male Feminisme dan Kontra Male Feminisme Perilaku Tokoh Priyayi Golongan Ningrat Jawa dalam Novel De Winst Karya Afifah Afra
https://repository.unej.ac.id/xmlui/handle/123456789/56180
Deskriptif Male Feminisme dan Kontra Male Feminisme Perilaku Tokoh Priyayi Golongan Ningrat Jawa dalam Novel De Winst Karya Afifah Afra
Aris Kartika, Bambang
Patriarchal culture is synonymous with the hegemonic power of the Javanese nobility, especially from the class of nobles, to the position of Javanese women, particularly those related to the ongoing gender inequality. There is even a Javanese cultural stereotypes that perpetuate gender inequality in women by placing it as a subordinate and inferior than men. That is, the system of feudalism and patriarchy positioned men priyayi Java as a counter-male feminism. However, in the perspective of deconstruction are the concepts of binary opposition, if there are any cons there are also male male feminism feminism, namely the aristocratic Javanese culture of patriarchy that does not apply to conduct in order to hegemonic power and control the subordinate position of women. There is even a Java class that actually supports the aristocratic conception of equality in gender as it is championed by feminists. In the novel De Winst binary opposition between male feminism with male counter feminism is reflected in the behavior of male figures from the Javanese aristocratic class of nobles in court environments Surakata Sultanate Palace that very strong tradition to uphold patriarchy and feudalism on the position of women, especially in the period of colonialism Dutch and Javanese monarchy system.
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2011-12-01T00:00:00Z